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TokenDance: Token-to-Token Music-to-Dance Generation with Bidirectional Mamba

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arXiv:2603.27314v1 Announce Type: new Abstract: Music-to-dance generation has broad applications in virtual reality, dance education, and digital character animation. However, the limited coverage of existing 3D dance datasets confines current models to a narrow subset of music styles and choreographic patterns, resulting in poor generalization to real-world music. Consequently, generated dances often become overly simplistic and repetitive, substantially degrading expressiveness and realism. To

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    Computer Science > Artificial Intelligence [Submitted on 28 Mar 2026] TokenDance: Token-to-Token Music-to-Dance Generation with Bidirectional Mamba Ziyue Yang, Kaixing Yang, Xulong Tang Music-to-dance generation has broad applications in virtual reality, dance education, and digital character animation. However, the limited coverage of existing 3D dance datasets confines current models to a narrow subset of music styles and choreographic patterns, resulting in poor generalization to real-world music. Consequently, generated dances often become overly simplistic and repetitive, substantially degrading expressiveness and realism. To tackle this problem, we present TokenDance, a two-stage music-to-dance generation framework that explicitly addresses this limitation through dual-modality tokenization and efficient token-level generation. In the first stage, we discretize both dance and music using Finite Scalar Quantization, where dance motions are factorized into upper and lower-body components with kinematic-dynamic constraints, and music is decomposed into semantic and acoustic features with dedicated codebooks to capture choreography-specific structures. In the second stage, we introduce a Local-Global-Local token-to-token generator built on a Bidirectional Mamba backbone, enabling coherent motion synthesis, strong music-dance alignment, and efficient non-autoregressive inference. Extensive experiments demonstrate that TokenDance achieves overall state-of-the-art (SOTA) performance in both generation quality and inference speed, highlighting its effectiveness and practical value for real-world music-to-dance applications. Comments: CVPR2026 Workshop on HuMoGen Subjects: Artificial Intelligence (cs.AI); Computer Vision and Pattern Recognition (cs.CV); Sound (cs.SD) Cite as: arXiv:2603.27314 [cs.AI]   (or arXiv:2603.27314v1 [cs.AI] for this version)   https://doi.org/10.48550/arXiv.2603.27314 Focus to learn more Submission history From: Ziyue Yang [view email] [v1] Sat, 28 Mar 2026 15:38:14 UTC (13,856 KB) Access Paper: HTML (experimental) view license Current browse context: cs.AI < prev   |   next > new | recent | 2026-03 Change to browse by: cs cs.CV cs.SD References & Citations NASA ADS Google Scholar Semantic Scholar Export BibTeX Citation Bookmark Bibliographic Tools Bibliographic and Citation Tools Bibliographic Explorer Toggle Bibliographic Explorer (What is the Explorer?) Connected Papers Toggle Connected Papers (What is Connected Papers?) Litmaps Toggle Litmaps (What is Litmaps?) scite.ai Toggle scite Smart Citations (What are Smart Citations?) Code, Data, Media Demos Related Papers About arXivLabs Which authors of this paper are endorsers? | Disable MathJax (What is MathJax?)
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    arXiv AI
    Category
    ◬ AI & Machine Learning
    Published
    Mar 31, 2026
    Archived
    Mar 31, 2026
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